A good fit: making legacy projects more local
Spain, 1929. In the shadow of an unfortunate war with America - so disastrous they called it “The Disaster” – the country entered the waning years of its second-to-last dictatorship. Facing a dwindling sense of international relevance and the opening scenes of the Great Depression, it was hardly the brightest time for an international expo. And yet, Spain’s hosting of the Ibero-American Exposition was the most successful the country had seen since Barcelona’s turn at the Universal in 1888. The space built in Seville for the 1929 Ibero-American Exposition was designed as a synthesis of all things Spanish and the legacy of Spanish communities in the Americas; it was composed in no small part of two central spaces: the Plaza de España, a testament to the history of Spain, and the Parque Maria Luisa, a series of elaborate pergolas and fountains scattered among American flora. The building style of the Plaza de España – which you might recognise from its appearances in Lawrence of Ar